Articles
45 results
Evolving Instrument Based on Symbiont-Host Metaphor: a Commensal Computation
Christophe Rigotti, Guillaume Beslon, Jonas Abernot, Sergio Peignier and Simon Hickinbotham
Locating Emergent Creativity with Similarity Metrics
Christopher Wm. White
Limitations from Assumptions in Generative Music Evaluation
Michael O’Neill and Róisín Loughran
Formalizing Fado: A Contribution to Automatic Song-Making
Tiago Gonzaga Videira, Bruce Pennycook and Jorge Martins Rosa
Computer-Generated Stylistic Compositions with Long-Term Repetitive and Phrasal Structure
Tom Collins and Robin Laney
Generating Time: Rhythmic Perception, Prediction and Production with Recurrent Neural Networks
Andrew J. Elmsley (né Lambert), Newton Armstrong and Tillman Weyde
Aiding Soundtrack Composer Creativity through Automated Film Script-profiled Algorithmic Composition
Alexis Kirke and Eduardo Miranda
The Design of UrMus as a Meta-Environment for Mobile Music
George Essl and Sang Won Lee
On the Ontological Category of Computer-Generated Music Scores
Nemesio García-Carril Puy
Learning and Creating Novel Harmonies in Diverse Musical Idioms: An Adaptive Modular Melodic Harmonisation System
Costas Tsougras, Dimos Makris, Emilios Cambouropoulos and Maximos Kaliakatsos-Papakostas
Playing in Time: Integrating Temporal Information in the Computational Measurement of Musical Similarity
Steven Crawford, Mark F. Bocko and Gang Ren
Transformations in Shifting Models: Reorienting with DeepDream
Lendl Barcelos and Michael O. Vertolli