Articles

Evaluating an improvising computer-implementation as a partial creativity in a music performance system

René Mogensen

Evolving Instrument Based on Symbiont-Host Metaphor: a Commensal Computation

Christophe Rigotti, Guillaume Beslon, Jonas Abernot, Sergio Peignier and Simon Hickinbotham

Locating Emergent Creativity with Similarity Metrics

Christopher Wm. White

Limitations from Assumptions in Generative Music Evaluation

Michael O’Neill and Róisín Loughran

Formalizing Fado: A Contribution to Automatic Song-Making

Tiago Gonzaga Videira, Bruce Pennycook and Jorge Martins Rosa

Computer-Generated Stylistic Compositions with Long-Term Repetitive and Phrasal Structure

Tom Collins and Robin Laney

Generating Time: Rhythmic Perception, Prediction and Production with Recurrent Neural Networks

Andrew J. Elmsley (né Lambert), Newton Armstrong and Tillman Weyde

Generative Live Music-making Using Autoregressive Time Series Models: Melodies and Beats

Roger T.Dean

Aiding Soundtrack Composer Creativity through Automated Film Script-profiled Algorithmic Composition

Alexis Kirke and Eduardo Miranda

The Design of UrMus as a Meta-Environment for Mobile Music

George Essl and Sang Won Lee

On the Ontological Category of Computer-Generated Music Scores

Nemesio García-Carril Puy

Review of CSMC16: What is Computational “Creativity” and How can it be Evaluated in the Context of Music?

René Mogensen

Learning and Creating Novel Harmonies in Diverse Musical Idioms: An Adaptive Modular Melodic Harmonisation System

Costas Tsougras, Dimos Makris, Emilios Cambouropoulos and Maximos Kaliakatsos-Papakostas

Utility Versus Creativity in Biomedical Musification

Duncan Williams

Developing the Vocal Tract Organ

David M Howard

Playing in Time: Integrating Temporal Information in the Computational Measurement of Musical Similarity

Steven Crawford, Mark F. Bocko and Gang Ren

Transformations in Shifting Models: Reorienting with DeepDream

Lendl Barcelos and Michael O. Vertolli