Volume 1 • Issue 2 • 2017
Articles
Formalizing Fado: A Contribution to Automatic Song-Making
Tiago Gonzaga Videira, Bruce Pennycook and Jorge Martins Rosa
2017-03-01 Volume 1 • Issue 2 • 2017
Computer-Generated Stylistic Compositions with Long-Term Repetitive and Phrasal Structure
Tom Collins and Robin Laney
2017-03-01 Volume 1 • Issue 2 • 2017
Generating Time: Rhythmic Perception, Prediction and Production with Recurrent Neural Networks
Andrew J. Elmsley (né Lambert), Newton Armstrong and Tillman Weyde
2017-03-01 Volume 1 • Issue 2 • 2017
Aiding Soundtrack Composer Creativity through Automated Film Script-profiled Algorithmic Composition
Alexis Kirke and Eduardo Miranda
2017-03-01 Volume 1 • Issue 2 • 2017
The Design of UrMus as a Meta-Environment for Mobile Music
George Essl and Sang Won Lee
2017-03-01 Volume 1 • Issue 2 • 2017
On the Ontological Category of Computer-Generated Music Scores
Nemesio García-Carril Puy
2017-03-01 Volume 1 • Issue 2 • 2017