Volume 1 • Issue 2 • 2017


Article

Generative Live Music-making Using Autoregressive Time Series Models: Melodies and Beats

Roger T.Dean

2017-03-01 Volume 1 • Issue 2 • 2017

Aiding Soundtrack Composer Creativity through Automated Film Script-profiled Algorithmic Composition

Alexis Kirke and Eduardo Miranda

2017-03-01 Volume 1 • Issue 2 • 2017

The Design of UrMus as a Meta-Environment for Mobile Music

George Essl and Sang Won Lee

2017-03-01 Volume 1 • Issue 2 • 2017

On the Ontological Category of Computer-Generated Music Scores

Nemesio García-Carril Puy

2017-03-01 Volume 1 • Issue 2 • 2017

Review of CSMC16: What is Computational “Creativity” and How can it be Evaluated in the Context of Music?

René Mogensen

2017-03-01 Volume 1 • Issue 2 • 2017

Formalizing Fado: A Contribution to Automatic Song-Making

Tiago Gonzaga Videira, Bruce Pennycook and Jorge Martins Rosa

2017-03-01 Volume 1 • Issue 2 • 2017

Computer-Generated Stylistic Compositions with Long-Term Repetitive and Phrasal Structure

Tom Collins and Robin Laney

2017-03-01 Volume 1 • Issue 2 • 2017

Generating Time: Rhythmic Perception, Prediction and Production with Recurrent Neural Networks

Andrew J. Elmsley (né Lambert), Newton Armstrong and Tillman Weyde

2017-03-01 Volume 1 • Issue 2 • 2017

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