Volume 1, Issue 2 (2017)
Article
Aiding Soundtrack Composer Creativity through Automated Film Script-profiled Algorithmic Composition
Alexis Kirke and Eduardo Miranda
2017-03-01 Volume 1, Issue 2
Computer-Generated Stylistic Compositions with Long-Term Repetitive and Phrasal Structure
Robin Laney and Tom Collins
2017-03-01 Volume 1, Issue 2
Formalizing Fado: A Contribution to Automatic Song-Making
Bruce Pennycook , Jorge Martins Rosa and Tiago Gonzaga Videira
2017-03-01 Volume 1, Issue 2
Generating Time: Rhythmic Perception, Prediction and Production with Recurrent Neural Networks
Andrew J. Elmsley (né Lambert) , Newton Armstrong and Tillman Weyde
2017-03-01 Volume 1, Issue 2
Generative Live Music-making Using Autoregressive Time Series Models: Melodies and Beats
Roger T.Dean
2017-03-01 Volume 1, Issue 2
On the Ontological Category of Computer-Generated Music Scores
Nemesio García-Carril Puy
2017-03-01 Volume 1, Issue 2
Review of CSMC16: What is Computational “Creativity” and How can it be Evaluated in the Context of Music?
René Mogensen
2017-03-01 Volume 1, Issue 2
The Design of UrMus as a Meta-Environment for Mobile Music
George Essl and Sang Won Lee
2017-03-01 Volume 1, Issue 2