We present a suite of tools under development for music creation and performance which combines an evolving music generation algorithm with an evolving motion-sensitive interface. The system can be used as a dance-driven musical instrument that allows an immediate physical interaction with music, because the evolutionary algorithm gen- erates live code, that evolves during the performance. The classification of the physical moves required to control the music also evolve, leading to a performance both in sound and in motion. To reach this goal we introduce commensal computation, a way of organising artificially evolv- ing system inspired by symbiotic relationships observed in biology. As a consequence the system is split in two organisms: a host which generates music from input moves; and a symbiont which simplifies the representa- tion of the input moves for the host. We describe how it allows evolution, and sketch the artistic possibilities.

How to Cite
Rigotti C. , Beslon G. , Abernot J. , Peignier S. & Hickinbotham S. (2017) “Evolving Instrument Based on Symbiont-Host Metaphor: a Commensal Computation”, Journal of Creative Music Systems. 2(1).





Christophe Rigotti (University of Lyon)
Guillaume Beslon (INRIA)

Jonas Abernot (University of Lyon)

Sergio Peignier (University of Lyon)

Simon Hickinbotham (University of York)

Creative Commons Attribution 4.0

Peer Review

This article has been peer reviewed.

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